Shoot with your I’s juke with your pride, keep it moving on the grass cause the coppers on your ass. Throw the bread to move the chickens in the morning before I’m yawning kept a garden during depress fatherhood is the mood. I figure for truth to represent someone new kept a groove. Miscellaneous missiles wrapped in old tabloid issues dramatic theatric Toño symbols. They say they say I’m really even in page look at the stage positive days. Money ain’t always the root of your evil so focus on you we know the system is trash for the people. Prison labor nepotism and being labeled illegal shit the masks show us who’s intentions are evil. I’m looking forward to when my son throws a punch not at me I know life can be tough, I hope he catches the bluff all giggles and stuff.
Left toe in your nose, then you know, bleeding, smelling must and only half stepping cleaning, god seeking in your retinal retinal. Left toe in your nose, then you know, bleeding, smelling must and only half stepping cleaning, god seeking in your retinal retinal.
When Kwame won the league taijin to Aramíz I think I had a bird for every sneeze a cry for every please a lie for every lease. I grew up kinda sleepy on needs. Bumping the orthodox self nature own business my family had to feed chickens. Moved from a Honda to Lexus and back different comfy stressin with facts. Slept on everything like family pets moving to lose gained knowledge of different evils sin traumatic in the habit of ignoring tragic people are shit like no vax you don’t leave St. Vincent. Uncomfortable eruptions money can lose itself that’s why Palestine isn’t free as I’m not Uncle Sam bought a drone to keep tabs on our pots.
Left toe in your nose, then you know, bleeding, smelling must and only half stepping cleaning, god seeking in your retinal retinal. Left toe in your nose, then you know, bleeding, smelling must and only half stepping cleaning, god seeking in your retinal retinal.
credits
released June 5, 2021
Instrumental & vocals, by Antonio Escobar. Mixed & Mastered at CCM, by David Custard.
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